Animaniacs Season 3 Episode 6 Animaliens / Murder Pals / Groundmouse Day Again / Island of Dr.Animaniacs Season 3 Episode 7 The Wrath Of Khan/Lawn In Sixty Seconds/All’s Fair In Love And Door.Animaniacs Season 3 Episode 8 WARnerGAMES / Bedtime / WARnerGAMES 2 / Crumbly’s Moment.Animaniacs Season 3 Episode 9 How the Brain Thieved Christmas: Part 1/Santamaniacs/How the Brain Thieved Christmas: Part 2.Animaniacs Season 3 Episode 10 International Mouse of Mystery/Aliens Resurrected/The Stickening/Everyday Safety: Giant Adirondack Chair.
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Probably like most people, we all skated when we was young. Skating for? Why is keeping rollerskating alive so important to you in theĬlubs or the disco? You have been skating for a long time? Thing seeing as we’re on the subject from last night, how long have you been So tell us about where you are coming from the whole skate Thatĭon’t mean I’m going to answer anything, OK? What’s happening, Benji? I just I don’t care what it is, whatever, you can ask me anything. But anything else y’all want to ask me, you can ask me anything after But that motherfucking flight toĬome over here is going to be a little change, then the rest of the party isįree. Tell you, I don’t even charge in Detroit. And again, most of the time as anybody in Detroit will Will do is share my environment and what is going on in Detroit, and that’s Your club or their club, but again, I’m the wrong person for that. There is a million people out there that can play music that can really hype So if promoters want to bring me to their spot, I’m there to share my environment. Particular moment, I might be at home in Detroit at my motherfucking Impala But what I willĭo is give you the truth on them turntables. I am not going to play the hottest tracks in the world. The hottest motherfucking DJ in the world. Just like if I am DJing, I am impromptu, or playing my live music, I am not Myself, and I am not going to go nowhere and pretend like I am someone else. My tongue slips and I can’t be up here and beĪnybody else, but I will promise you this, I will tell the truth. Y’all don’t like shit, motherfucker, n **, all that type of shit, it And Imma let you all know, I might say a few things up here, I curse a lot, if Look how many of these people didn’t go to a roller disco before. Night? Put up your hand if it was your first time at a roller disco. It was in the spot, too, I like that.įor many of us it was the first time in London - I don’t know about everyoneĮlse in the room - was that many people’s first time at a roller disco last What’s happening, big dog? My man is fromĪfrica over here. I think everyone had a good time last night, man. We’re going to do this a little different today. He brought some friends with him, he brought some records. Ladies and gentlemen, boys and girls, please welcome the legendary Kenny Dixon, Jr. Then we’re back into darkness, with ‘Hard Day’s Night’ from Robbie Morrison, Patrick Goddard and Dylan Teague. It’s this sort of strange daftness that makes the world of Dredd such a wonderfully mixed bag, although you could always argue that Rennie wrote it with that end line in mind – “ It ain’t over until the fat guy explodes.” You also get those lighter moments, such as Gordon Rennie and Paul Marshall’s ‘A Night At The Opera ‘, playing out a farce of Dredd being ordered to represent the Justice Department at the (explosive) premiere of a new opera, Cal: Tragedy of a Tyrant. A Night at the Opera’ by Gordon Rennie and Paul Marshall It’s a sombre thing, with Wagner brilliantly questioning the fundamentals of justice. In just two parts, Wagner laid out a compelling courtroom drama, the defence counsel’s only hope of a case resting on showing that Orlok’s actions were merely as deadly as Dredd’s, comparing the Sin City poisonings with the destruction of East-Meg One. Cam Kennedy’s on superb form here as well, all wonderfully angular and striking. 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